| Artist | |
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| Brand | |
| Piece count | |
| Puzzle Dimensions | 47.80 x 34.20 cm |
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25,00€
25,00€
2 in stock
A warrior scene attributed to Hokusai in a 500-piece Grafika edition. Armour, diagonals and a blue background create a richly detailed vertical composition. Finished dimensions: 47.80 × 34.20 cm.
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The 500-piece Hokusai Kamakura puzzle reproduces Kamakura no Gengoro Seizing Torinoumi Tasaburo, the title given by Grafika. Decorated armour and weapons fill a scene of movement against a deep blue background.
This Grafika edition is a 500-piece puzzle.
 | Piece count 500 |  | Brand Grafika |
 | Finished dimensions (cm) 47.80 × 34.20 | ||
Not suitable for children under 3 years: contains small parts.
Edizione Grafika
500 pezzi
Un unico puzzle da ricomporre.
Dimensioni del puzzle
47,80 × 34,20 cm
Kamakura no Gengoro Seizing Torinoumi Tasaburo depicts two warriors in close combat. The Cleveland Museum of Art dates the colour woodblock print to the early 1830s in the Edo period. Kamakura identifies the story’s subject; Hokusai created this image in nineteenth-century Japan.
The vertical format concentrates attention on the gestures and contact between the figures. Dense armour patterns meet the sword’s sweeping curve. Blue surrounds the bodies, creating an unstable balance between decorated surfaces, diagonals and facial outlines.
Katsushika Hokusai (1760–1849) painted and designed prints and illustrated books across much of the Edo period. Ukiyo-e also depicted stories and figures. Here, beyond his familiar landscapes, anatomy, clothing and action demonstrate the strength of his drawing.
Woodblock printing transfers outlines and colours from carved wooden blocks to paper. The British Museum describes the collaboration between artist, carver, printer and publisher. Notice how the line defines both major outlines and fine armour details.
Patterns change direction around torsos, arms and legs, helping distinguish body parts even where the figures overlap. From a distance, the movement dominates; close up, the scene becomes a network of small marks.
Begin with the faces and sword outline, then distinguish the armour patterns. Long lines suggest gesture direction; short sequences require comparing colour and angle. The blue background provides another working area with fewer figurative clues.
Move between details and the complete scene. Before displaying the vertical picture, consider the space needed to appreciate both figures and the weapon’s curve.
Compare more subjects in our Japanese puzzles and Hokusai collection. Explore how an ukiyo-e print is made to learn more about the technique.
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