Additional information

Number of pieces

Brand

Atmosphere

Artist

Opportunity

art museum

Dimensions of the work

74 cm x 94 cm

Artistic movements

Difficult

Puzzle Dimensions

68 cm x 47 cm

Box Dimensions

38 cm x 26.5 cm x 5.5 cm

EAN

594750286691610

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The church of Auvers Van Gogh – Puzzle 1000 pieces

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25,00

25,00

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Discover one of the masterpieces of the great Dutch master Vincent Van Gogh . The 1000-piece Van Gogh’s Church at Auvers puzzle by D-Toys allows you to enter the magnificent world of late 19th-century post-Impressionist painting, where roots and emotional and artistic appreciation are the only rules of discovery and artistic growth.

The Church of Auvers is a painting by the Dutch painter Vincent van Gogh, made in 1890 and preserved at the Musée d’Orsay in Paris.

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Puzzle Features

The puzzle The Church of Auvers Van Gogh is one of the works that best expresses the delicate relationship between the painter and the emotion painted on the canvas.

In fact, thanks to the wonderful 1000-piece Van Gogh Church of Auvers puzzle by D-Toys, you can discover the colorful and extravagant brushstrokes of the great twentieth-century artist Vincent Van Gogh.

In fact, during the last ten weeks of his life in Auvers, Van Gogh painted over one hundred paintings, including Van Gogh’s The Church at Auvers .

The puzzle The church of Auvers Van Gogh

The 1000-piece Van Gogh Church at Auvers puzzle by D-Toys is a fascinating example of post-impressionist art from the last decades of the 19th century.

In fact, the works of this great Dutch painter are considered the basis of the twentieth-century avant-garde movements and the foundations of all contemporary art.

The puzzle’s lines are bold, the colors bright , and the details are meticulously crafted. The pieces are sturdy, and the fit is of excellent quality.

Number of Puzzle PiecesNumber of pieces
1000
Puzzle BrandsBrand
D-Toys
Puzzle DimensionsPuzzle dimensions (cm)
68 x 47
Puzzle Box DimensionsBox dimensions (cm)
38 x 26.5 x 5.5

Well finished box
Wonderful gift idea

Famous work of art
Avant-garde Art

1000 pieces
Standard grid

Description of the artwork

Van Gogh’s Church at Auvers is a painting created in 1890 by the Dutch painter Vincent van Gogh. Today it is preserved in Paris at the Musée d’Orsay .

This work was created in May 1890 when Van Gogh left the hospital in Saint-Rémy-de-Provence. He had decided to permanently abandon the south of France and return to Paris to visit his brother Theo. He would later travel to Auvers-sur-Oise to be treated by Dr. Paul Gachet. Vincent van Gogh spent the last ten weeks of his life there, and in this short period of time he painted over one hundred paintings , including The Church at Auvers.

This painting was created exactly one month before the artist’s suicide . It revisits the subject of the church in Nuenen with its worshippers and almost seems to engage in a dialogue with the older work, revisiting and transforming it. In this way, van Gogh creates an ideal arc between the beginning and the end of his meteoric artistic evolution.

Fortunately, as with many of Van Gogh’s works, his vast corpus of letters helps us understand his work by delving into the profound emotional relationship between painter and canvas. Indeed, van Gogh’s description of the work , speaking of it in a letter addressed to his sister Wilhelmina, reads:

I have a larger image of the village church, with an effect where the building appears purple against a simple dark blue sky, pure cobalt; the windows look like spots of ultramarine, the roof is violet and partly orange. In the background, some flowering plants and sand with the pink reflection of the sun. And once again, it’s similar to the studies I made in Nuenen of the old cemetery tower, only now the color is probably more expressive, more sumptuous.

Van Gogh's Last Wheatfield

In July 1890, the artist had repeatedly addressed the theme of nature subjected to the fury of the elements with his painting “Flight of Crows.” But rather than depicting the event as it happens, van Gogh instead emphasized the approach of the crucial moment. The yellow wheat fields, then, shone brighter than usual under stormy skies.

Shortly before committing suicide, Vincent van Gogh had painted the despair, anger, loneliness and sweetness that he still had in his heart in Wheatfield with Crows , considered by many, and rightly so, to be his artistic and spiritual testament .

A storm, almost a harbinger of mourning, is about to hit a wheat field crossed by three green-bordered paths and from which a flock of black crows (rendered with simple backwards “w” ) rises in a low, uncoordinated flight.

The painting was executed with a violence that Van Gogh had never before dared to pour into a canvas. The wheat field, shaken by the wind that bends the ears, is treated with lashes of yellow, and the sky is darkened by the black of threatening clouds.
The brightness of the deep blue sky (which occupies 1/3 of the canvas) and the bright gold of the wheat (to which the artist reserves 2/3 of the surface) are about to succumb, defeated by a dark color that inexorably obscures and covers them.

The artist seems to watch helplessly as the event unfolds before his eyes and,
like the caged bird in the letter to Theo in 1880

he stands still, looking out at the turgid, storm-laden sky, and feels within himself a revolt against his own fate.

Irises, Van Gogh: The Story of One of the World's Most Expensive Paintings

In July 1890, the artist had repeatedly addressed the theme of nature subjected to the fury of the elements with his painting “Flight of Crows.” But rather than depicting the event as it happens, van Gogh instead emphasized the approach of the crucial moment. The yellow wheat fields, then, shone brighter than usual under stormy skies.

Shortly before committing suicide, Vincent van Gogh had painted the despair, anger, loneliness and sweetness that he still had in his heart in Wheatfield with Crows , considered by many, and rightly so, to be his artistic and spiritual testament .

A storm, almost a harbinger of mourning, is about to hit a wheat field crossed by three green-bordered paths and from which a flock of black crows (rendered with simple backwards “w” ) rises in a low, uncoordinated flight.

The painting was executed with a violence that Van Gogh had never before dared to pour into a canvas. The wheat field, shaken by the wind that bends the ears, is treated with lashes of yellow, and the sky is darkened by the black of threatening clouds.
The brightness of the deep blue sky (which occupies 1/3 of the canvas) and the bright gold of the wheat (to which the artist reserves 2/3 of the surface) are about to succumb, defeated by a dark color that inexorably obscures and covers them.

The artist seems to watch helplessly as the event unfolds before his eyes and,
like the caged bird in the letter to Theo in 1880

he stands still, looking out at the turgid, storm-laden sky, and feels within himself a revolt against his own fate.

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