Blue horse puzzle by Franz Marc – 1000 pieces

One of the most popular and reproducible paintings by the famous German avant-garde artist Franz Marc is The Blue Horse.

The painting from the Blue Horses series by expressionist painter Franz Marc was created in 1911, the same year Marc founded The Blue Riders (Der Blaue Reiter).

Marc and other artists in the group, such as Klee and Kandinsky, formed a circle of artists focused on the importance of color, expression, and symbolism. Marc showed some of his new paintings at the first Der Blaue Reiter exhibition at the Thannhauser Galleries in Munich in late 1911.

In “Blue Horse,” the artist used a large number of shades of blue, making the figure of a horse very powerful. The animal’s silhouette also exudes expression and power. Indeed, Marc Franz’s image cannot be treated neutrally; it necessarily evokes emotion.

Franz Marc was fascinated by the study of animals . He was fascinated not only by their anatomy and habitats, but also by their rich inner worlds.
Each painting of his animal subjects is deeply emotional . This is due not only to Marc’s extensive knowledge of animal anatomy, but also to his extraordinary use of color .
As Marc explained in a 1910 letter:

“Blue is the masculine principle, astringent and spiritual. Yellow is the feminine principle, gentle and sensual. Red is material, brutal and heavy, and always the color the other two must oppose and surpass!”

Indeed, looking at Blue Horse, the young male horse tilts his head, as if in delicate contemplation. He seems innocent and youthful.

Franz Marc chose animal subjects for his paintings because for him they represented innocence. Horses, above all, represented freedom and purity of spirit.
By combining animals with specific colors, he was able to convey these feelings to the viewer. The young horse in this painting seems to exist on a more spiritual plane than our own.

While Franz Marc’s art often depicted security, serenity, and spirituality, his life took a much darker turn. He was killed by a shell fragment in 1916 during the storming of Verdun, despite his fear and hatred of war.